The Fear Inside started as a passion project, driven by long hours, dedication, and a crew deeply committed to their craft. One of the most exciting parts of the journey was working with Oscar-winning composer Joseph Renzetti, who joined us in post-production to create a haunting, powerful score that elevated the story in ways we could never have imagined.
Making a film is always a challenge. It’s about overcoming obstacles, thinking on your feet, and finding creative solutions when things don’t go as planned. What keeps you going through those long days and nights is the belief in the story and the shared vision of the team. That’s what The Fear Inside represents: a group of people coming together with passion and purpose.
As the Director of Photography, my role was to make sure the visuals told our story in the most compelling way possible. We didn’t rely on elaborate sets or special effects; instead, we focused on the essentials—lighting, framing, and camera movement—to create the tension and atmosphere that pull viewers into the film.
Lighting was a crucial tool in shaping the mood of The Fear Inside. We used Astera tubes to craft a low-key, atmospheric setup that made the warehouse setting feel alive, like it was hiding secrets. The interplay of shadows and light was designed to keep the audience on edge, revealing just enough while leaving much to the imagination.
We chose Atlas Orion anamorphic lenses to give the film its distinctive, cinematic look. These lenses helped us convey both the vastness of the warehouse and the claustrophobia of the characters’ situation. Every shot was crafted to pull the audience deeper into the experience, and our 1st AC, Christopher Daw, played a crucial role in ensuring that each shot was sharp and executed flawlessly.
Christopher’s expertise in focus pulling and rigging allowed us to move efficiently while maintaining a high level of precision in every frame.
This film was a true team effort. Alex Moore, our director, led the project with a clear vision, while Josip Knezevich, our 1st Assistant Director, kept everything running smoothly and on schedule.
Kevin Wang, our gaffer, was responsible for creating the lighting setups that were so essential to the film’s atmosphere. Igor Melo documented the behind-the-scenes process, capturing the creativity, hard work, and collaboration that went into making The Fear Inside.
But it was in post-production that the film truly came together. Joseph Renzetti, an Oscar-winning composer, joined us and brought a depth to the film with his music that we hadn’t anticipated. His score amplified the tension, giving voice to the fear and emotion that runs through every scene.
The Fear Inside is more than just a film—it’s the result of passion, creativity, and a team committed to telling a gripping story. The process was intense, but the final product is something we’re all proud of.
I’m excited for audiences to experience this film and feel the suspense and tension that we worked so hard to create.